2010 上海世博會 波蘭展覽館 設計公布 相关搜索: 上海, 世博, 公布

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2010上海世博會波蘭展覽館 由波蘭設計師 Wojciech Kakowski, Natalia Paszkowska and Marcin Mostafa 共同設計。

波蘭展覽館建築外形覆層圖形來自波蘭民間剪紙藝術。在一個純粹的建築層面，是一個重要的里程碑，充分展示了波蘭的設計成果。醒目的外 觀在白天和在夜間呈現不同的黑白花紋。

波蘭國家館的主題是"人類創造城市"。它分為3個概念："人類，創造力，城市"，即人們把他們對生活的創造力和想像力融入到生活中，把藝術和創造力融入到 城市中。因此，人是城市的最大價值所在，如肖邦和他的音樂就充分體現了波蘭人民的想像力和創造力。肖邦對於許多中國人來說是一個文化標誌，世博會的波蘭展 館將會喚起參觀者對肖邦音樂的更大興趣。波蘭館將波蘭的曆史人物、現代藝術家、商人、政治家、科學家和年輕一代的代表緊緊相連，力求解答如何建設一個更好 的城市，從而讓生活變得更美好。 　

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Polish architects Wojciech Kakowski, Natalia Paszkowska and Marcin Mostafa have been chosen to design the Polish pavilion at Expo 2010 in Shanghai.The building's perforated cladding is derived from Polish folk-art paper cut-outs.

Team of architects: Wojciech Kakowski, Natalia Paszkowska, Marcin Mostafa

THE PROJECT CONCEPT

In the contemporary world with its abundance of visual experience, with the pictorial language of communication reigning supreme, with the almost unconstrained and instant accessibility of iconographic material, an exposition piece of architecture will only be attractive insofar it can offer perceptual sensations attainable only through direct, unmediated exposure to out-of-the-ordinary, singular stimuli, insofar it can provide a quality of experience born out of the chemistry of inter-sensory stimulation.

Given the nature of the exposition, the exhibition facility has to denote, by its esthetic distinctiveness, the country of origin, has to constitute, by the strength of its stylistic connotations, an evocative, recognizable and memorable cultural ideogram. In our design, the cultural idiom is primarily conveyed through the theme, the motif of folk-art paper cut-out. Or, more precisely, through a rendering of the motif, a transcription of an elementary esthetic code into the contemporary language of architectural de'cor.

The transcription rationale was twofold. First of all, we did not wish the design to be literally folklorish, a mechanical multiplication of convention-approved set patterns. The intention was for the structure de'cor to draw on and make reference to tradition, but ultimately to be that tradition's contemporary reinterpretation, a creative extension into the present day by way of inspiration rather than replication.

Secondly, we aspired to make the structure in its own right, in a purely architectural dimension, a significant landmark, a showcase of Polish design achievements. That it should be an attractive, eye-catching exterior both in daylight, against the panorama of other Expo facilities, as well as a mesmerizing experience at night with the edifice drawn by the multi-colored light seeping through the cut-out patterns. And reversely, that it should provide inside visitors with comparable experience by shaping the outer skin patterning in such a way that the sun rays shining through would chisel, by light and shade, the space under the vault.

The structure's overall shape, with many slanting planes, on the one hand complements and rounds out, by the suggestion of a folded sheet of paper, the 『cut-out' narrative, on the other creates inside a geometrically intriguing and flexible space that can be creatively apportioned, by inner divisions, to different exhibition, performance and utility functions and uses.

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Polish pavilion at Expo 2010 in Shanghai